Showing posts with label #506iv #self-evaluation. Show all posts
Showing posts with label #506iv #self-evaluation. Show all posts

Friday, July 1, 2016

Self-Evaluation

The subject of independent film is one I know well. I cut my teeth on indie film in the late 80s/early 90s when it was all the rage, before the studios gobbled up the indie houses and gentrified the entire indie film scene. I discovered a love of cinema with Richard Linklater ("Slacker", "Dazed and Confused"), Kevin Smith ("Clerks", "Chasing Amy"), Quentin Tarantino ("Reservoir Dogs", "Pulp Fiction"), Robert Rodriquez ("El Mariachi", "Desperado"), Steven Soderbergh ("Sex, Lies and Videotape"),  John Dahl ("Red Rock West", "The Last Seduction"). I could go on and on. I've watched so much.

That love of indie film evolved into a desire to create my own stories. I've written countless scripts, short and feature length, and I've directed a small fraction of those stories. I've worked with wonderful people and not-so-wonderful people. I've rode the roller-coaster of indie productions and lived to tell the tale. Throughout this time, I was always the one leading the charge. Out of all my friends and fellow filmmakers, I was the voice that urged us all forward. This isn't a boastful statement, merely an accurate account of my experiences in indie film.

The one aspect I've always felt I missed out on was having a mentor. Someone to guide me through the pitfalls. Someone to help me find my way to the career I desired. Someone to push me. Someone to feed my passion. Someone to feed the right wolf.

I chose indie film because I've learned a few things along the way and maybe my articles and thoughts could serve as a mentorship tool for those young filmmakers looking to tell stories. Perhaps I can fill the void that was in my early life for others.

The articles I've written have touched upon different aspects of indie film from story creation (Do Not Manufacture Story) to the technical with How to Paint a Green Screen. But it's not limited to just making indie movies. I like the idea of shaping the way people watch movies.

The audience approaches a new movie with a sense of "been there, done that." We're not surprised anymore by storylines, plot points or style. That doesn't mean these things don't exist on an elite level. It's important to understand why a movie doesn't work or why it does work. Sure, this is a subjective field and not everything pleases everyone, but there are multiple reasons why movies don't work. I explored this with Stop Blaming Actors which explains that bad acting doesn't necessarily mean we're watching a bad actor.

My voice is pretty strong in this field, but it still needs strengthening and focus. I've always written articles in the past about indie film, but they were for my personal blog. I've never been paid to write these articles. The second half of #506iv intrigues me. Perhaps I've experienced some of the information heading our way, but understanding it and using to my advantage is probably where I'm lacking. I've never been very good at pitch meetings. I have great difficulty with boiling down a script to three lines. The creation of a story or article is one thing. It's the mechanics of the business that I have difficulty navigating. Can't wait to start.